vrijdag 16 mei 2008

Irena Sendler 1910-2008



Irena Sendler 1910-2008

She takes the crying baby into her arms, turns her back on the hysterical mother, and walks off into the night. If she's caught, she and the baby will die.

"Promise me my child will live!" the mother cries desperately after her.
She turns for a moment. "I can't promise that. But I can promise that if he stays with you, he will die."

Irena Sendler was 97 years old. She has seen this image in her dreams countless times over the years, heard the children's cries as they were pulled from their mothers' grasp; each time it is another mother screaming behind her. To the children, she seemed a merciless captor; in truth, she was the agent to save their lives.

Mrs. Sendler, code name "Jolanta," smuggled 2,500 children out of the Warsaw Ghetto during the last three months before its liquidation. She found a home for each child. Each was given a new name and a new identity as a Christian. Others were saving Jewish children, too, but many of those children were saved only in body; tragically, they disappeared from the Jewish people. Irena did all she could to ensure that "her children" would have a future as part of their own people.
She listed the names of every rescued child and buried the lists in a jar, hoping that the children could be reunited with their families after the war.

Mrs. Sendler listed the name and new identity of every rescued child on thin cigarette papers or tissue paper. She hid the list in glass jars and buried them under an apple tree in her friend's backyard. Her hope was to reunite the children with their families after the war. Indeed, though most of their parents perished in the Warsaw Ghetto or in Treblinka, those children who had surviving relatives were returned to them after the war.

Yet Irena Sendler sees herself as anything but a heroine. "I only did what was normal. I could have done more," she says. "This regret will follow me to my death."
...
Even before the war, Irena had strong loyalties towards Jews. In the 1930s, at Warsaw University, she stood up for her Jewish friends. Jews were forced to sit separately from "Aryan" students. One day, Irena went to sit on the Jewish side of the room. When the teacher told her to move, she answered, "I'm Jewish today." She was expelled immediately. (Decades later, under Communist rule, she was considered a subversive; her son and daughter were refused entry into Warsaw University.)
...
Breaking the Silence
Though she received the Yad Vashem medal for the Righteous Among the Nations in 1965, Irena Sendler's story was virtually unknown. But in 1999 the silence was broken by some unlikely candidates: four Protestant high-school girls in rural Kansas. The girls were looking for a subject for the Kansas State National History Day competition. Their teacher, Norm Conard, gave them a short paragraph about Mrs. Sendler, from a 1994 U.S. News & World Report story, "The Other Schindlers." Mr. Conard thought the figures were mistaken. After all, no one had ever heard of this woman; Schindler, who was so famous, had rescued 1,000 Jews. 250 children seemed more likely than 2,500.

Conard encouraged the girls to investigate and unearth the true story. With his help, the girls began to reconstruct the life of this courageous woman. Searching for her burial records, they discovered, to their surprise, that she was still alive, ninety years old and living in Warsaw. The girls compiled many details of Mrs. Sendler's life, which they eventually made into a short play, "Life in a Jar."

(source; also see this site)

zaterdag 19 april 2008

Nr. #

between 0000-00-00 and 9999-99-99

donderdag 3 april 2008

Rutger Hauer spreekt op de herdenking voor de Soldaat van Oranje

Rutger Hauer spreekt op de herdenking voor de Soldaat van Oranje, de bijnaam van Erik Hazelhoff Roelfzema uit het verzet tijdens de Tweede Wereldoorlog. ...
dd. 3-4-2008

Willem-Alexander spreekt op de herdenking voor de Soldaat van Oranje, Erik Haselhof Roelfsema dd. 3-4-2008

Willem-Alexander spreekt op de herdenking voor de Soldaat van Oranje, de bijnaam van Erik Hazelhoff Roelfzema uit het verzet tijdens de Tweede Wereldoorlog. ...
dd. 3-4-2008

dinsdag 11 maart 2008

HandMade


HandMade 2008

This project is part of
XXIV International Festival Sarajevo
7.2. - 21.3. 2008.

Visual Identity:
Barricades Without Borders- New (Brave) Worlds
Encumbered Memo´s,
Exhibition Project (Performances / Installations)
by Paul Donker Duyvis / Nine Dragon Heads

maandag 10 maart 2008

Tolerance - Time




" Tolerance "

The Year 5768 according to the Jewish Calendar.

The Year 4341 according to the Buddhist Calendar.

The Year 2008 according to the Christian Calendar.

The Year 1429 according to the Muslim Calendar.

The Year 9999 according to the Shamans Calendar....ahahahhhaaa




from a letter of PARK, Byoung-Uk to me
dd. 7 march 2008

Explicit / Explicito ...


Paul Donker Duyvis Performance - X
Woodcut Poster Project for
VILA da BARCA, Belem 2006
Fotoattiva Gallery, Belem
photo: Renaro Chalu / O Liberal 14-6-2006

Explicit
without being
Explicit


EXPLICITO
SEM SER
EXPLICITO


see
Woodcut Poster Project for
VILA da BARCA, Belem 2006

zaterdag 1 maart 2008

vrijdag 29 februari 2008

Dichter Jan Eijkelboom (81) overleden


Portret Dichter Jan Eijkelboom,
Dordrecht Voorstraat 283 - 6 Mei 2006
© foto Paul Donker Duyvis
(klik voor vergroting)

Wat blijft komt nooit terug

Op 6 mei 2006 de dag na bevrijdingsdag en de opening van mijn Solo tentoonstelling in Galerie 21/de Meerminnen liet ik mijn vrouw het middeleeuse centrum van mijn geboortestad Dordrecht zien. Op de Voorstraat kon ik het niet laten Boekhandel deBengel even binnen te gaan. Ik kwam daar vaak als scholier. Goede boeken voor weinig geld en de juiste sfeer voor een puber-Gymnasiast. Het was een prachtige zonnige zaterdag. Er heerste een feestelijke stemming. Vlak na mij betrad de dichter Jan Eijkelboom de boekhandel. Zijn dagelijkse gang om de NRC te halen. Ik wachte hem buiten op en vroeg of ik een foto van hem mocht maken. Ik vertelde dat ik hem in Rotterdam rond 1980 regelmatig in het neon verlichte cafe het Schouwtje had ontmoet met de andere drinkende redactieleden van Het Vrije Volk. Ook citeerde ik een prachtig fragment van van zijn mistgedicht over de Wolwevershaven dat ik uit mijn hoofd kende. Hij werd verlegen en poseerde geduldig met een enigszins droeve vermoeide blik. Onderwijl kreeg op mijn kop van mijn vrouw die zei dat elke amateur weet dat je geen portretten in de volle zon moest maken. Toch wilde ik hem in de volle zon en hij deed vriendelijk gewillig wat ik vroeg. Ik maakte een paar foto´s, hij beloofde mijn expositie te bezoeken en ieder ging zijns weegs. De foto heb ik altijd gekoesterd en krijgt nu zijn plaats als een klein eerbetoon.
Dag Jan, dank je voor je warme zachtmoedige regels. Trots van Dordrecht ..


- Jan Eijkelboom
- NRCH
- Galerie 21/de Meerminnen
- Boekhandel deBengel
- Het Vrije Volk

Encumbered Memo´s for Bosnia (Sarajevo Festival Winter 2008)
































Encumbered Memo´s for Bosnia - Sarajevo 2008
Paul Donker Duyvis


This project is part of XXIV International Festival Sarajevo, Winter 7.2. - 21.3. 2008. Visual Identity:

Barricades Without Borders- New (Brave) World

The theme „Barricades Without Borders- New (Brave) World" opens up the question of dialogue between different generations which participated, each in their own way, in creating a new world while destroying the barricades between their dreams, their goals and the world which surrounds them and in which they live. Every generation is confronted with the same experience: that in front and behind them stand barricades without borders. The creation of a new world means life in a "brave world...

Going to Bosnia and Sarajevo as an invited Artist for the Festival 2008 makes me aware of a deep but hidden feeling of collective guilt about what happened in Srebrenica. The Srebrenica Genocide, was the July 1995 killing of an estimated 8,000 Bosnian boys and men, who were supposed to be fully protected by the Dutch Army and the UN troops. But the International Organisations let the Massacre happen in front of their eyes.

The Srebrenica massacre is the largest mass murder in Europe since World War II. Theodor Meron: By seeking to eliminate a part of the Bosnian Muslims [Bosniaks], the Bosnian Serb forces committed genocide. They targeted for extinction the forty thousand Bosnian Muslims living in Srebrenica, a group which was emblematic of the Bosnian Muslims in general. They stripped all the male Muslim prisoners, military and civilian, elderly and young, of their personal belongings and identification, and deliberately and methodically killed them solely on the basis of their identity.

February 2008 Sarajevo

10 Conversations with Bosnians about a sad and shameful memory:
Sebrenica and Dutchbat.
To be clear: the Srebrenica massacre: " Dutch soldiers let 300 Muslims die"  as the Newspaper the Guardian stated.
https://www.theguardian.com/world/2017/jun/28/dutch-soldiers-let-300-muslims-die-in-bosnian-war-court-rules
All conversations -part of my contribution to Sarajevo Winter festival 2008- were private, not recorded, very emotional, and witnessed by Hungarian artist Jozsef Biro.


All Bosnian people I met, hold Whole Europe responsible for this massacre,
and do not only blame the small Dutch group of soldiers, who did not get any help from other UN troops. In their eyes whole Europe was guilty.
After each conversation I asked o donate me a small object to use in my Installation in the Turkish Cultural Center: "Encumbered Memo"s"

The Memo´s for Bosnia were daily Ceremonies, Performances, Installations, Meditations and Conversations with the Public about the recent war done at different historical locations in the Public Domain of Sarajevo: The Market, The main Mosque, the Synagogue, the Old Orthodox Church and the Turkish Cultural Center.
This project was part of the Exhibition “Encumbered” by Nine Dragon Heads Artists group, curated by Park Byoung Uk in Turkish Cultural Center, 6-11 February 2008 Sarajevo


I am still working to finish my Sarajevo project.
For me it was quite emotional.
It affected me a lot...

Thanks:
- Park Byoung Uk - Curator
- Nine Dragon Heads Foundation
- Denizhan Ozer and Yula Shin (additional photography)
- Gordana Andelic and Biró József
- Yoko Kajio for inviting me to make a painting for her
- Mr. Wadja, Priest of the Old Orthodox Church Sarajevo

- and all the anonymous persons who participated in my project by telling me their private and emotional stories. Each story is symbolised by their small gifts for the Memo Installations in Sarajevo.
None of the meetings and conversations were recorded on audio, video or photo for reasons of intimacy and integrity.

- Barricades Without Borders- New (Brave) World
XXIV INTERNATIONAL FESTIVAL SARAJEVO 7.2. - 21.3. 2008

- Turkish Cultural Center Sarajevo